Thursday, September 27, 2012
Wednesday, September 19, 2012
Talking politics
One of the greatest challenges a fiction writer faces is whether or not to include references to current events in one's work. If your story is set during a recent historical event, that's one thing. It's also par for the course to include familiar sites and cultural touchstones to guide the reader and give them a sense of place. But what if you're crafting a world out of thin air?
There are many major works of literature that contain veiled references to contemporary political issues and cultural figures. F. Scott Fitzgerald and Ayn Rand's books come to mind, and they weren't always straight-up allegories either. Those works can be appreciated if you don't understand the references, but reading through their entries on Sparknotes certainly fills in the gaps.
But in a few years (let alone 50 or 100), who's going to care about a spot-on caricature of a society matron or a send-up of an obnoxious political operative? Why risk future readers conflating an interpretation of the author's time with a message for all time?
Also, some authors who tackle political analogies in their fiction don't always get a warm reception. In A Dance With Dragons, the most recent installment of ASOIAF, George Martin was accused of modeling one of the book's subplots on the U.S.'s recent involvement in Iraq and Afghanistan. He denied drawing inspiration from those wars, but the perceived parallels made the already shaky subplot even more unpopular with readers.
That's he conundrum I've been wrestling with lately. So far, I've come up with one answer. Shoehorning in pop culture references is a sure road to irrelevance, but there's always interesting people in the world, no matter what era you live in. If those people have something equally interesting to say in your world, maybe you should let them in.
There are many major works of literature that contain veiled references to contemporary political issues and cultural figures. F. Scott Fitzgerald and Ayn Rand's books come to mind, and they weren't always straight-up allegories either. Those works can be appreciated if you don't understand the references, but reading through their entries on Sparknotes certainly fills in the gaps.
But in a few years (let alone 50 or 100), who's going to care about a spot-on caricature of a society matron or a send-up of an obnoxious political operative? Why risk future readers conflating an interpretation of the author's time with a message for all time?
Also, some authors who tackle political analogies in their fiction don't always get a warm reception. In A Dance With Dragons, the most recent installment of ASOIAF, George Martin was accused of modeling one of the book's subplots on the U.S.'s recent involvement in Iraq and Afghanistan. He denied drawing inspiration from those wars, but the perceived parallels made the already shaky subplot even more unpopular with readers.
That's he conundrum I've been wrestling with lately. So far, I've come up with one answer. Shoehorning in pop culture references is a sure road to irrelevance, but there's always interesting people in the world, no matter what era you live in. If those people have something equally interesting to say in your world, maybe you should let them in.
Tuesday, September 11, 2012
Inspiration
I've been writing for as long as I can remember. I had a brief fascination with the letter M when I was 3 or 4 years old and spent at least one whole afternoon(filling pages of construction paper with the letter. Of course, today's parent might see such behavior and think there was something seriously wrong with me. My mom probably just asked me what I was doing and gave me a bowl of strawberries.
It's been more or less the same ever since. I get fixated on a topic or idea, it sprouts in my mind and then I can write about it. I can write a lot about it. That's when I can go on one of those classic "writing binges" you hear so much about. I know some writers are very methodical about their craft. Some, like Danielle Steel, even have a formula. And good for them.
My approach has always been more organic. While I see The Evenarian more as a project than an artistic endeavor, I write most effectively when something has sparked me. And that spark could be anything. Recently a remembered scene from a not-very-good-movie (if you must know, it was Kingdom of Heaven) induced me to introduce a character into the story much earlier than first planned. But I never know what stimuli is going to send me flying to my computer. Actively seeking out inspiration usually backfires, believe it or not, so I simply have to be watchful. I let lots of potentially inspirational sources into my life - music, art, books, a few movies and TV shows.
When I'm truly at a creative dead-end, I remember a quote from George R.R. Martin, whose A Song of Ice and Fire series was an enormous inspiration for my novel. An interviewer asked him if he enjoyed the writing process and he replied that he enjoyed the feeling of having written. Remembering that spurs me into action, and I know the satisfaction I'll feel once I hit my page count for the day is stronger than writer's block, and sometimes it's all the inspiration I need.
It's been more or less the same ever since. I get fixated on a topic or idea, it sprouts in my mind and then I can write about it. I can write a lot about it. That's when I can go on one of those classic "writing binges" you hear so much about. I know some writers are very methodical about their craft. Some, like Danielle Steel, even have a formula. And good for them.
My approach has always been more organic. While I see The Evenarian more as a project than an artistic endeavor, I write most effectively when something has sparked me. And that spark could be anything. Recently a remembered scene from a not-very-good-movie (if you must know, it was Kingdom of Heaven) induced me to introduce a character into the story much earlier than first planned. But I never know what stimuli is going to send me flying to my computer. Actively seeking out inspiration usually backfires, believe it or not, so I simply have to be watchful. I let lots of potentially inspirational sources into my life - music, art, books, a few movies and TV shows.
When I'm truly at a creative dead-end, I remember a quote from George R.R. Martin, whose A Song of Ice and Fire series was an enormous inspiration for my novel. An interviewer asked him if he enjoyed the writing process and he replied that he enjoyed the feeling of having written. Remembering that spurs me into action, and I know the satisfaction I'll feel once I hit my page count for the day is stronger than writer's block, and sometimes it's all the inspiration I need.
Tuesday, September 4, 2012
Sharing a bit from the manuscript.
I want to give you an unedited version of the prologue because of all of the support I have been receiving online for my writing. It couldn't wait any longer. The excerpt below is full of the honest mistakes of a rough manuscript. You rarely get such an intimate look into an author and her writing.
If you like it then could I ask you a favor in return? Please share this with your friends?
If you like it then could I ask you a favor in return? Please share this with your friends?
Prologue
“I have much important things to say
but little time to say them.”
Turo sighed and looked down at the
speaking stone in his hand. It was smooth and round like a large
pebble, but it glowed from the inside with a gentle red light. Turo
had only ever seen his master use the stone and he was not even sure
whether it was working. He had been assured that there was plenty of
blank space left on it for his purposes, though he had no idea what
“blank space” meant. Should he hold the stone closer to his face?
Speak louder? Should he use the Northern dialect that he had spoken
his whole life, or should he try to muddle through in another
language that more people might understand?
Turo lifted himself off the cold stone
bench and tugged at the new clothes they had given him. The
rough-spun pants and tunic were both too big for him. They hadn't
even given him a rope to tie around his waist. He could guess why
though.
Holding the stone, he walked aimlessly
to a wall where a rectangular hole sliced into its stonework served
as a window. His room was high in one of the many towers so he had a
view of the river valley below. The sun was setting over a mountain
range in the west. Turo remembered an argument he had with his master
when they first caught sight of the magnificent city that lay at the
end of the long winding canyon.
But that was months ago now; early in
their travels. So much had changed since then. That conversation may
as well have happened in another lifetime.
Now Turo watched the setting sun turn
the landscape and the sky shades of gold, purple and flaming red. The
river became a molten ribbon as it threaded through the canyon, so
bright he could barely stand to look at it. Turo just shaded his eyes
with his hands for he needed to watch. Soon it would all turn to
grey, and then black, save for the lamplights twinkling below.
“I didn't set out for any of this to
happen,” he said to the speaking stone in a mournful voice. Still
in his hand the stone pulsed with its reassuring red light. “I
supposed my father would say...” Turo's throat thickened with
sudden emotion and he had to stop again. Thoughts of home would only
slow him down now.
The sun was igniting thin bands of
clouds as it sank closer to the mountains. “It looks like
someone painted it”, his master might have said of the scene.
Turo took a deep breath and looked
down at the stone. Perhaps this would be easier if he pretended he
was talking to a person...?
Sunday, August 26, 2012
WE DID IT!
We have reached our goal of 100 likes on Facebook!!!
It's such a nice thing to wake up to this morning. This book means everything to me, and I'm ecstatic to learn that other people like the idea, and support me writing it. I have these characters in my head, and they each have fully formed opinions on what is truth. I left my job to bring them to life, and into bookshelves where you can read about them. It's hard work, and lonely at times. But your support encourages me. Again, thank you.
It's such a nice thing to wake up to this morning. This book means everything to me, and I'm ecstatic to learn that other people like the idea, and support me writing it. I have these characters in my head, and they each have fully formed opinions on what is truth. I left my job to bring them to life, and into bookshelves where you can read about them. It's hard work, and lonely at times. But your support encourages me. Again, thank you.
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Thursday, August 23, 2012
All about the logo
What do you think The Evenarian is about when you look at the logo?
The Evenarian is a fantasy novel-in-the-making in the style of George R.R. Martin. It takes place in a tribal and imperial world just on the verge of a messianic change - a change that must be stopped at all costs. The world is held together by a monastic system of cloisters where the Seekers of Truth study history, prophecy, healing, warfare and, of course, magic. Ultimately, the story will give you the reader insight into today's shifting views on the nature of truth. All of these themes are captured in the logo.
The logo's backdrop is of a pair of hands levitating a book with a light shining from above. It evokes a mystical, almost religious quality. One feels the silence of the monastic setting where the magicians are absorbed in their studies. Above this, in a fantasy-style font, the title is displayed with a hazy orange glow at the bottom of the letters, as if enchanted. Finally, in a regular font, the phrase "Kill The Prophecy. Save History." introduces you to the paradoxical mystery of the book.
Those were my intentions, but I'm very curious to know what you think of it. Do you like it? What other things does it make you think of? What emotions does it make you feel? If you didn't know any better, what would you think the book is about from just the logo?
I'm making variations on the theme, so below is a deconstruction of the logo inspired by the famous cover of Mario Puzo's "Godfather" series (the hand manipulating the puppet strings). Let me know what you think and please share this post with your friends. We are trying to grow support on our Facebook page because we want you to see the writing samples as soon as any are released. Help kill the prophecy and save history at facebook.com/TheEvenarian
The Evenarian is a fantasy novel-in-the-making in the style of George R.R. Martin. It takes place in a tribal and imperial world just on the verge of a messianic change - a change that must be stopped at all costs. The world is held together by a monastic system of cloisters where the Seekers of Truth study history, prophecy, healing, warfare and, of course, magic. Ultimately, the story will give you the reader insight into today's shifting views on the nature of truth. All of these themes are captured in the logo.
The logo's backdrop is of a pair of hands levitating a book with a light shining from above. It evokes a mystical, almost religious quality. One feels the silence of the monastic setting where the magicians are absorbed in their studies. Above this, in a fantasy-style font, the title is displayed with a hazy orange glow at the bottom of the letters, as if enchanted. Finally, in a regular font, the phrase "Kill The Prophecy. Save History." introduces you to the paradoxical mystery of the book.
Those were my intentions, but I'm very curious to know what you think of it. Do you like it? What other things does it make you think of? What emotions does it make you feel? If you didn't know any better, what would you think the book is about from just the logo?
I'm making variations on the theme, so below is a deconstruction of the logo inspired by the famous cover of Mario Puzo's "Godfather" series (the hand manipulating the puppet strings). Let me know what you think and please share this post with your friends. We are trying to grow support on our Facebook page because we want you to see the writing samples as soon as any are released. Help kill the prophecy and save history at facebook.com/TheEvenarian
![]() |
| Kill The Prophecy. Save History. Like on Facebook. |
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Tuesday, August 21, 2012
Like! Share! Stalk!
Barnaby was right in his blog: I am shy about releasing my work. But that needs to change.
I feel like I've been a "behind the scenes" writer for too long. If you saw me at my old jobs at the Rochester Business Journal or the San Francisco Business Times then I was just a page in the newspaper, a voice on the phone or a name on an email signature. But a key thing about being an author today is the process of building and even becoming your own brand. The mysterious reclusive author no longer exists in a world where everyone has the internet in their pockets. So let's go with it, shall we?
"Like" the Evenarian page on Facebook and you'll be guaranteed to get instant updates about the book's status - and ways you can help make the published book a reality. You can start by liking the page and sharing it on your own Facebook profiles! I'll post some excerpts from the manuscript soon after I write some more of the book. I know you're all excited to see that. So click the "like" button on the top right of the Facebook page, keep reading this blog, and you'll be the first to hear of any writing samples as soon as they're out.
I feel like I've been a "behind the scenes" writer for too long. If you saw me at my old jobs at the Rochester Business Journal or the San Francisco Business Times then I was just a page in the newspaper, a voice on the phone or a name on an email signature. But a key thing about being an author today is the process of building and even becoming your own brand. The mysterious reclusive author no longer exists in a world where everyone has the internet in their pockets. So let's go with it, shall we?
"Like" the Evenarian page on Facebook and you'll be guaranteed to get instant updates about the book's status - and ways you can help make the published book a reality. You can start by liking the page and sharing it on your own Facebook profiles! I'll post some excerpts from the manuscript soon after I write some more of the book. I know you're all excited to see that. So click the "like" button on the top right of the Facebook page, keep reading this blog, and you'll be the first to hear of any writing samples as soon as they're out.
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