Monday, October 22, 2012

Alternative history

Have you ever read a book that made you put it down every few minutes to pause and think? A book that made you see the world around you in a different way?

In science fiction and fantasy, there are books which make you ask questions about events, and how they could've transpired differently. This is a sub-genre called "alternative history." It takes place in our world's past but frequently a key historical event happens differently and magic or other fantastical elements are present. These stories explore "what if" questions like "what if Hitler had been assassinated before starting World War II" or "what if Jesus' ministry had been different" and so on.

While The Evenarian does not take place on Earth, its world very well could have been ours, or rather, our world may have been The Evenarian's world.

One of the themes tackled in the story is just how much of truth is hidden from us, including history and destiny. Many elements of The Evenarian's world are parallel to ours.

For example, what if the messianic figure that changes the world had created a positivist religion (i.e. based on science) instead of a mystic one? What would our society be like if its religious institutions were founded on positivism and post-enlightenment thinking? How would this even go about happening?

The world before the Evenarian came was a mystical place, full of simple wonders. But our hero knows that the world left behind by the ministry of the Evenarian will be full of fanatics. Opposing groups with different scientific axioms are constantly at war because of conflicting logic instead of religious beliefs. These groups are, of course, painfully unaware of what we know as Goedel's incompleteness theorem. It's our world, except that it's totally different. After reading the complete story, you'll hopefully see many of our modern debates about the nature of truth and religion from a new angle, much like after meditating on a zen koan.

I'm very proud of this concept. It's one of those mind-bending puzzles that makes you put a book on your chest and gaze at the ceiling. If you enjoy that feeling of enchantment that a book gives you, then please support our Kickstarter (launching October) so we can get this book published.

Friday, October 19, 2012

Meet my new friend Kickstarter

Image Source: Theproducersperspective


Happy Friday, fans! It’s been a few days since I sprung my latest endeavor on you: The upcoming launch of a Kickstarter campaign to get my book edited and out to publishers.

So far, I've gotten a lot of positive feedback, but also some questions about what Kickstarter is and how people can help with the campaign. I'd like to take this opportunity to tell you all more about what Kickstarter is and why I'm using it to help complete The Evenarian.

Kickstarter is an online funding platform for a host of creative projects, from films, books, and music to art, design and technology.

People interested in funding creative projects create a campaign on the website and encourage people from all over the country (and the world) to support their cause. But unlike many donation-based services, the only way for a Kickstarter campaign to see any of that money is by reaching their funding goal. Otherwise, no money is received.

In other words, if you pledge to support my Kickstarter but I don’t make the goal of $5,000 within the allotted timeframe, you don’t get charged anything. But on the flip-side, the project remains unfunded.

This campaign runs for just 30 days (the month of November) so that means it is crucial to get support on DAY ONE. You can help by making your pledge on that day.

Also, Kickstarter promotes campaigns that get an early wave of donations (whatever the size) by putting them on their front page. This exposes campaigns to a huge number of prospective backers.

For The Evenarian's campaign, there are different levels of support, from a single dollar up to $3,000. Each contribution leve comes with its own rewards (think the totebags PBS gives out during pledge drives). Who doesn’t love rewards? And for those of you who can’t spare much, know that a bunch of supporters giving a dollar apiece can still make a huge difference!

You may be asking: What else can I do to help?

Until the Kickstarter campaign goes live on November 1st you can join the Kickstarter Facebook event page and pledge to donate on Nov. 1! Also, “like” The Evenarian's Facebook fan page to get updates on the campaign and the novel's progress. And don't forget to read the author's blog, comment, retweet and pledge!

Thanks so much for all your continued support!!!

Tuesday, October 16, 2012

Kickstarter Countdown


Attention bibliophiles and fantasy aficionados! I'm really excited to announce that while I have been banging out pages of my book, The Evenarian, I am also getting ready to launch a Kickstarter campaign to help get the book edited and shopped around to publishers.
 


It seems like just yesterday that The Evenarian was just a twinkle in my eye and now it’s really happening!
 


While I’m the one giving my sweat and tears, I am asking for just a little help from my supporters in order to get this book to print.
 


On November 1, I will launch the KICKSTARTER campaign with a goal of raising $5,000 (and have hopes of surpassing that in the 30 days that the campaign is live).
 


In order to reach (and hopefully shoot past this goal) I need help from everyone who believes that more creative, page-turning literature should be out in the world.
 


Since I have friends, family and supporters of all different means, there are many different levels of contribution that can be made (from a single buck to a $3,000 bracket – each with rewards to boot!) to bring The Evenarian to fruition.
 


Since November is just around the corner, I want to keep the buzz going so the Kickstarter gets a big first week and the momentum propels this book into everyone’s hands as soon as possible.
Word of mouth and excitement will help make this book more than just a few million letters on my hard drive.
 


Since November is national novel writing month, I couldn’t think of a more fitting time to get this project closer to completion. In the coming days and weeks, I will be posting some great blogs, asking for feedback and giving shout-outs to all those that pledge to support The Evenarian. (Hopefully I’ll be shouting out to all of you.)
 


Until the Kickstarter campaign is live, I am asking everyone to share my Facebook fan page with other avid readers and people that love to support original content so “like,” blog, join the Facebook event, comment, retweet and pledge!


 More about The Evenarian:

The Evenarian is a fantasy novel-in-progress, inspired by the works of George R.R. Martin and Neil Stephenson. It takes place in a medieval world of magic, kings, ancient tribes and empires. It's also world on the verge of a massive change—a change that must be stopped at all costs. The world is held together by a monastic system of cloisters where the Seekers of Truth study history, prophecy, healing, warfare and, of course, magic. As the characters navigate a dangerous, politically-charged landscape, they find themselves confronted with not just the realities of their own journey, but questions about the nature of truth itself.



Thursday, September 27, 2012

A small update

Been busy with lots of writing lately, but there's some exciting news coming in a few weeks. Stay tuned!

Wednesday, September 19, 2012

Talking politics

One of the greatest challenges a fiction writer faces is whether or not to include references to current events in one's work. If your story is set during a recent historical event, that's one thing.  It's also par for the course to include familiar sites and cultural touchstones to guide the reader and give them a sense of place. But what if you're crafting a world out of thin air?

There are many major works of literature that contain veiled references to contemporary political issues and cultural figures. F. Scott Fitzgerald and Ayn Rand's books come to mind, and they weren't always straight-up allegories either. Those works can be appreciated if you don't understand the references, but reading through their entries on Sparknotes certainly fills in the gaps.

But in a few years (let alone 50 or 100), who's going to care about a spot-on caricature of a society matron or a send-up of an obnoxious political operative? Why risk future readers conflating an interpretation of the author's time with a message for all time?

Also, some authors who tackle political analogies in their fiction don't always get a warm reception. In A Dance With Dragons, the most recent installment of ASOIAF, George Martin was accused of modeling one of the book's subplots on the U.S.'s recent involvement in Iraq and Afghanistan. He denied drawing inspiration from those wars, but the perceived parallels made the already shaky subplot even more unpopular with readers.

That's he conundrum I've been wrestling with lately. So far, I've come up with one answer. Shoehorning in pop culture references is a sure road to irrelevance, but there's always interesting people in the world, no matter what era you live in. If those people have something equally interesting to say in your world, maybe you should let them in.

Tuesday, September 11, 2012

Inspiration

I've been writing for as long as I can remember. I had a brief fascination with the letter M when I was 3 or 4 years old and spent at least one whole afternoon(filling pages of construction paper with the letter. Of course, today's parent might see such behavior and think there was something seriously wrong with me. My mom probably just asked me what I was doing and gave me a bowl of strawberries.

It's been more or less the same ever since. I get fixated on a topic or idea, it sprouts in my mind and then I can write about it. I can write a lot about it. That's when I can go on one of those classic "writing binges" you hear so much about. I know some writers are very methodical about their craft. Some, like Danielle Steel, even have a formula. And good for them.

My approach has always been more organic. While I see The Evenarian more as a project than an artistic endeavor, I write most effectively when something has sparked me. And that spark could be anything. Recently a remembered scene from a not-very-good-movie (if you must know, it was Kingdom of Heaven) induced me to introduce a character into the story much earlier than first planned. But I never know what stimuli is going to send me flying to my computer. Actively seeking out inspiration usually backfires, believe it or not, so I simply have to be watchful. I let lots of potentially inspirational sources into my life - music, art, books, a few movies and TV shows.

When I'm truly at a creative dead-end, I remember a quote from George R.R. Martin, whose A Song of Ice and Fire series was an enormous inspiration for my novel. An interviewer asked him if he enjoyed the writing process and he replied that he enjoyed the feeling of having written. Remembering that spurs me into action, and I know the satisfaction I'll feel once I hit my page count for the day is stronger than writer's block, and sometimes it's all the inspiration I need.

Tuesday, September 4, 2012

Sharing a bit from the manuscript.


I want to give you an unedited version of the prologue because of all of the support I have been receiving online for my writing. It couldn't wait any longer. The excerpt below is full of the honest mistakes of a rough manuscript. You rarely get such an intimate look into an author and her writing.
 If you like it then could I ask you a favor in return? Please share this with your friends?


Prologue



“I have much important things to say but little time to say them.”
Turo sighed and looked down at the speaking stone in his hand. It was smooth and round like a large pebble, but it glowed from the inside with a gentle red light. Turo had only ever seen his master use the stone and he was not even sure whether it was working. He had been assured that there was plenty of blank space left on it for his purposes, though he had no idea what “blank space” meant. Should he hold the stone closer to his face? Speak louder? Should he use the Northern dialect that he had spoken his whole life, or should he try to muddle through in another language that more people might understand?
Turo lifted himself off the cold stone bench and tugged at the new clothes they had given him. The rough-spun pants and tunic were both too big for him. They hadn't even given him a rope to tie around his waist. He could guess why though.
Holding the stone, he walked aimlessly to a wall where a rectangular hole sliced into its stonework served as a window. His room was high in one of the many towers so he had a view of the river valley below. The sun was setting over a mountain range in the west. Turo remembered an argument he had with his master when they first caught sight of the magnificent city that lay at the end of the long winding canyon.
But that was months ago now; early in their travels. So much had changed since then. That conversation may as well have happened in another lifetime.
Now Turo watched the setting sun turn the landscape and the sky shades of gold, purple and flaming red. The river became a molten ribbon as it threaded through the canyon, so bright he could barely stand to look at it. Turo just shaded his eyes with his hands for he needed to watch. Soon it would all turn to grey, and then black, save for the lamplights twinkling below.
“I didn't set out for any of this to happen,” he said to the speaking stone in a mournful voice. Still in his hand the stone pulsed with its reassuring red light. “I supposed my father would say...” Turo's throat thickened with sudden emotion and he had to stop again. Thoughts of home would only slow him down now.
The sun was igniting thin bands of clouds as it sank closer to the mountains. “It looks like someone painted it”, his master might have said of the scene.
Turo took a deep breath and looked down at the stone. Perhaps this would be easier if he pretended he was talking to a person...?